Everywhere, from sunup to sunup, the world is full of song. The days are hot, hot, and all the day long I listen to the bees lifting from flower to flower, to the watchful chipmunk sounding its chock chock chock alarm while the red-tailed hawk wheels, crying, high in the sky. I can’t see the songbirds in the dappled light of a thousand leafy branches, but I can hear them calling from the trees. ~ Margaret Renkl (The Comfort of Crows: A Backyard Year)
“Woodland Stream in a Winter Landscape” by John Henry Twachtman
I cannot tell you how the light comes. What I know is that it is more ancient than imagining. That it travels across an astounding expanse to reach us. That it loves searching out what is hidden what is lost what is forgotten or in peril or in pain. That it has a fondness for the body for finding its way toward flesh for tracing the edges of form for shining forth through the eye, the hand, the heart. I cannot tell you how the light comes, but that it does. That it will. That it works its way into the deepest dark that enfolds you, though it may seem long ages in coming or arrive in a shape you did not foresee. And so may we this day turn ourselves toward it. May we lift our faces to let it find us. May we bend our bodies to follow the arc it makes. May we open and open more and open still to the blessed light that comes. ~ Jan Richardson (How the Light Comes)
Another dawn — serene and honey sweet. At such times, it seems to me that dawn is nine-tenths of the day. Staying up late at night has a sameness about it; but every dawn is different. And this is the dawn of May — May, the month that is never long enough. This is May the first as the first of May should be. … On such a day as this, it is enough to spend the hours soaking in the sunshine, breathing slowly, sensing to the full all the perfumes of spring. It is enough to delight in the varied shades of green, in the forms of trees and the colors of flowers. On such a day, all our moments out-of-doors are lived in quiet pleasure. ~ Edwin Way Teale (Circle of the Seasons: The Journal of a Naturalist’s Year)
On this, the shortest day of all the 365, I wander over the covered paths of the garden hillside. I wade through the drifts along the swamp edge. I walk over the snow-covered ice among the catttails. The wind is gone. The day is still. The world is decorated with unmarred snow. This is winter with winter beauty everywhere. Autumn is finally, officially, gone. Like the evening of the day, the fall has been a time of ceaseless alteration. Cold, in the autumn, is overcoming the heat just as darkness, in the evening, is overcoming the light. All around, in recent months, there have been changes in a thousand forms. The days of easy warmth were passing, then past. Birds departed. Threadbare trees lost their final leaves. Nuts fell from the branches. Pumpkins and corn turned yellow in the fields. For animals and men alike, this was the time of harvest. The phantom summer, Indian summer, came and went. The chorus of the insects died away in nightly frosts. Goldenrod tarnished; grass clumps faded from green to yellow. Milkweed pods gaped open and their winged seeds took flight. The windrows of fallen leaves withered, lost their color, merged into one universal brown. Now they are buried beneath the new and seasonal beauty of the snow. Autumn, the evening of the year, is over; winter, the night of the year, has come. ~ Edwin Way Teale (Circle of the Seasons: The Journal of a Naturalist’s Year)
Rich meanings of the prophet-Spring adorn, Unseen, this colourless sky of folded showers, And folded winds; no blossom in the bowers; A poet’s face asleep is this grey morn.
Now in the midst of the old world forlorn A mystic child is set in these still hours. I keep this time, even before the flowers, Sacred to all the young and the unborn.
No summer ever came back, and no two summers ever were alike. Times change, and people change; and if our hearts do not change as readily, so much the worse for us. ~ Nathaniel Hawthorne (The Blithedale Romance)
“Connecticut Shore, Winter” by John Henry Twachtman
Searching my heart for its true sorrow, This is the thing I find to be: That I am weary of words and people, Sick of the city, wanting the sea;
Wanting the sticky, salty sweetness Of the strong wind and shattered spray; Wanting the loud sound and the soft sound Of the big surf that breaks all day.
Always before about my dooryard, Marking the reach of the winter sea, Rooted in sand and dragging drift-wood, Straggled the purple wild sweet-pea.