human spirituality

“Soria Moria Castle” by Theodor Kittelsen
“Soria Moria Castle” by Theodor Kittelsen

I am not interested in a spirituality that cannot encompass my humanness. I find little comfort or guidance in traditional dogma or unqualified New Age optimism. Because beneath the small daily trials are harder paradoxes, things the mind cannot reconcile but the heart must hold if we are to live fully: profound tiredness and radical hope; shattered beliefs and relentless faith; the seemingly contradictory longings for personal freedom and a deep commitment to others, for solitude and intimacy, for the ability to simply be with the world and the need to change what we know is not right about how we are living.
~ Oriah Mountain Dreamer
(The Invitation)

embrace all living creatures

“Harmony of Creatures”
by Margret Hofheinz-Döring

A human being is a part of the whole, called by us “Universe;” a part limited in time and space. He experiences himself, his thoughts, and feelings as something separated from the rest – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty. Nobody is able to achieve this completely, but the striving for such achievement is in itself a part of the liberation and a foundation for inner security.
~ Albert Einstein
(Mathematical Circles: Mathematical Circles Adieu & Return to Mathematical Circles)

a little trip to the movies

4.9.11 ~ Madison, Connecticut
4.9.11 ~ Madison, Connecticut

Tim was on call last night so I didn’t think we’d be going anywhere today, but he wasn’t called too often and he got enough sleep, so we took a little trip to Madison, which is a 45-minute drive from here. I badly wanted to see Jane Eyre and the only place it is showing around here is the Madison Art Cinema.

4.9.11 ~ Madison, Connecticut
4.9.11 ~ Madison, Connecticut

We stopped at When Pigs Fly for brunch and then braved I-95 southbound to reach our destination. We usually wait for movies to become available on Netflix, but we were told the cinematography was amazing in this one, so off we went and I was not disappointed.

After the movie we strolled around the center of town and photographed some of the sculptures. The weather was lovely so we got some ice cream, sat in the car, and watched a squirrel busily foraging for food as we enjoyed our treat. We discussed the various versions of the film we have seen.

Fortunately for me I had read Jane Eyre by Charlotte Brontë, and all her other books, long before seeing any of the film versions. The story is so long it is difficult to tell in the space of a two-hour movie. For this 2011 version, directed by Cary Fukunaga, I felt the most important parts of the story were included and I actually liked the way it was told with flashbacks.

My favorite production is the 1983 BBC television mini-series of Jane Eyre. I bought it on two video tapes and wore them out just in time to replace them with the new DVD. It follows most of the book and was great to watch in the winter when I had four hours to curl up with a cup of tea and a blanket…

When I went to see the 1996 version, directed by Franco Zeffirelli, I remember being disappointed because it didn’t cover all that I thought it should. But that was about fifteen years ago so perhaps I should give it a fresh try.

The 1944 version with Orson Welles was terrible, in my humble opinion. I found Welles’ portrayal of Rochester about as frightening as it gets. It was like a melodramatic horror movie and not a deep and moving love story. But then I’m highly sensitive and I’m sure there are others who didn’t feel as repulsed as I did.

But I think all the versions I’ve seen have had the heartfelt words that Jane Eyre uttered to Edward Rochester, which sum up what I feel is the main message of the story:

Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! … I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal – as we are! … I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.
~ Charlotte Brontë
(Jane Eyre)

To be released in October –  a graphic novel, Jane, by April Lindner.

creative spirit

“Leaf in Glacier National Park” by Ansel Adams
“Leaf in Glacier National Park” by Ansel Adams

No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.
~ Ansel Adams
(Screenwriting with a Conscience: Ethics for Screenwriters)

wars laid away in books

“Sailboats in Pourville”
by Anna Bilińska-Bohdanowicz

Adrift! A little boat adrift!
And night is coming down!
Will no one guide a little boat
Unto the nearest town?

So sailors say — on yesterday —
Just as the dusk was brown
One little boat gave up its strife
And gurgled down and down

So angels say — on yesterday —
Just as the dawn was red
One little boat — o’erspent with gales —
Retrimmed its masts — redecked its sails —
And shot — exultant on!

~ Emily Dickinson
(The Poems of Emily Dickinson, #6)


Now that I have a Kindle and can read for hours on end without bothering my eyes, I have delved into a huge comprehensive biography of the life of Emily Dickinson, My Wars Are Laid Away in Books: The Life of Emily Dickinson. The above poem struck a chord with me.

What I’ve been learning is that Emily grappled with an exhausting spiritual struggle during her childhood and young adulthood. One by one more and more of her family members and friends experienced evangelical conversions each time a revival made its way to her mother’s church in Amherst, Massachusetts. Emily was never moved to convert, winding up a solitary holdout, and I suspect it was the hypocrisy and inconsistencies in the dogma as presented by her teachers and ministers that never sat well with her.

Some keep the Sabbath going to Church —
I keep it, staying at Home —
With a Bobolink for a Chorister —
And an Orchard, for a Dome —
~ Emily Dickinson
(The Poems of Emily Dickinson, #236)

Emily found spiritual fulfillment and ecstasy in nature. I think it can be found in the creative arts, too, and in healing. I will read on, as I just got to the “Adrift!” poem yesterday, but my feeling is that once she made peace with this realization, she was able re-trim her masts, re-deck her sails, and get on with her true vocation, her poetry, her spiritual expression, her own way of worshiping.

As a child my intuition rebelled against my father’s atheism. The first chance I got I latched on to a religion with just as much oppressive dogmatism as the scientific atheism from which I was trying to escape. But while ‘gurgling down’ in my spiritual struggle, it slowly dawned on me that religion and science are simply different ways of trying to make sense of and explain the world and the universe. The assumptions of both can be terribly flawed and misguided. Organized religion and organized science can both be dogmatic and self-righteous. People who worship science, in my opinion, give up their own experience of the divine to the men in lab coats, our modern-day priests. Ideally there is a balance between Logic and Wonder, however.

When I started reading Emerson and Dickinson I found myself home at last with the ideas of transcendentalists:

The transcendentalists felt the presence of God in their intuition, but they advised that intuition should be guided by reason, and not follow its own course unaided. They discerned that God speaks directly to the self within us. They stressed the value and importance of personal mystical experience over beliefs, doctrines, rituals, and institutions. All their insights derived from their inner life. Their movement was a reaffirmation of the inner way of introversion or interiority.
~ Wayne Teasdale
(The Mystic Heart: Discovering a Universal Spirituality in the World’s Religions)

How I admire Emily for holding on to her inner life!

arrows and circles

“Psyche” by William-Adolphe Bouguereau
“Psyche” by William-Adolphe Bouguereau

Sometimes you get there in spite of the route
Losing track of your life and what it’s about
The road seems to know when to straighten right out…
I could wonder if all of it led me to you
I could show you the arrows and circles I drew
I didn’t have a map, it’s the best I could do
On the fly and on the run
~ Mary Chapin Carpenter
♫ (Elysium) ♫

winter winds

Last week I had the fun and wonderful privilege of writing a guest blog at my friend Kathy’s blog, Lake Superior Spirit. I’m still “recovering” from all the excitement! Thank you, Kathy!

From time to time in my life I’ve been called upon to write an autobiographical sketch and as I wrote this one for Kathy it occurred to me that every time I write one it comes out a little differently. Probably because I’m always growing and changing, and each time I look back over my life my perspective has changed and some events take on new and deeper meanings. And other events are left out entirely because even though at one time they seemed so important, they no longer seem worth mentioning.

Within our whole universe the story only has the authority to answer that cry of heart of its characters, that one cry of heart of each of them: “Who am I?”
~ Isak Dinesen
(Last Tales)

A couple of weeks ago I figured out how to write a blog and not just save it, but actually schedule a publication day and time for it! Great! Now I can combine quotes with art and schedule them to go out on Saturday and Sunday mornings. Still, I was surprised Saturday morning when I saw the quote for that day published already and realized that I hadn’t written a regular post here all week.

Yikes! Oh no, I thought, my readers will think I’m doing nothing but posting quotes from now on… However, I’ve noticed these quote/painting combos are collecting more comments than I thought they would! It’s been so interesting, for me anyway, seeing so many varied kinds of responses to the same words and images.

This morning Tim and I went out for breakfast – it’s been a while because he has worked at home a lot on recent weekends – and it felt very good to get out of the house together. It snowed a little last night… After breakfast we headed to Starbucks for a coffee treat and saw a Mumford & Sons CD there, Sigh No More, which we eagerly purchased. We first heard them perform at the Grammys a couple of weeks ago and both of us like them a lot.

Then we drove down to Eastern Point and Avery Point and found a new sculpture on the Sculpture Path by the Sea. It’s named “Pig Iron” by Timothy Kussow. Looked for the sculptor online and he doesn’t seem to have a website of his own, but he lives on the same road in the same town where Tim’s family used to live. Small world and a bit of synchronicity as well! A little music and a little art – a very nice morning date!

But if your strife strikes at your sleep
Remember spring swaps snow for leaves
You’ll be happy and wholesome again
When the city clears and sun ascends
~ Mumford & Sons
♫ (Winter Winds) ♫

art?

Is graffiti art? I don’t know, though I tend to think that it is. Some of it seems very creative. I tend to think of graffiti as something painted illegally onto man-made structures like buildings and bridges, often with a negative message. But not always. How about when inspiration moves someone to paint something natural, like a tree or a rock, what might that be called?

These pictures were taken in October 2007 in the woods behind our condo complex.

We often wonder who the mysterious anonymous artist could be… What can you tell about an artist from her work and where she chooses to exhibit it?

When I was little we passed what we called Frog Rock (right) in Eastford on our way to the Cape almost every month. It doesn’t seem so big now as it once did. We’d beg Dad to drive by it slowly so we could get a good look at it from all angles.

I grew up in Storrs, Connecticut, home of the University of Connecticut. I’m used to seeing art on rocks on the campus, including on a large outcrop on South Eagleville Road, sanctioned for painting. There are new creations painted over it every time I go by, and have been for as long as I can remember. Perhaps this experience has conditioned me not to be surprised, but rather fascinated, when finding art co-existing with nature in the woods or by the side of the road. I wonder how many layers of paint on that outcrop in over 50 years???

Every artist dips his brush in his own soul and paints his own nature into his picture.
~ Henry Ward Beecher
(Proverbs from Plymouth Pulpit)

Here’s another bit of Connecticut nature art, Snake Rock (right) in Marlborough.

So, are these creations art? Graffiti? Or something else? I suspect that “art” cannot be definitively defined, and that like beauty, is in the eye of the beholder…

Images: Frog Rock, Snake Rock

afflicted with consciousness

"The Difficult Lesson" by William-Adolphe Bouguereau
“The Difficult Lesson”
by William-Adolphe Bouguereau

Had Madness, had it once or twice
The yawning Consciousness
~ Emily Dickinson
(The Poems of Emily Dickinson, #1325)

Whenever I read an Emily Dickinson poem I am struck with a deep sense of affinity and connection, sometimes even a moment of transcendence. And yet words fail me when I try to describe what it is about each poem that moves me.

Emily Every Day is my favorite blog, written by Constance Adler. I discovered it almost a year ago, when I started poking around WordPress and following tags to see where they might lead. And while the author no longer posts every day, each post is still a treasure trove of ideas to ponder and of clues to the mystery of Emily’s consciousness.

In the January 6th post, Emily and Jeanne, Constance uses the phrase “afflicted with consciousness,” which seems a fitting description of the essence of my own spiritual journey. Even though I would never dare equate myself with Emily, so often I’ve felt that I “could not escape or ignore the experience of awareness.” It plagued me all through my childhood, as my father did his level best, but ultimately failed, to raise me to be an atheist. Awareness of awareness has driven me to “Madness” on several occasions… But, as Constance concludes:

Emily shows us how to turn and see deeply behind our own eyes. That loss of solid space/time boundaries might scare us back toward front and center. But no. It’s okay to follow Emily’s directive. She’s gone there first. We don’t have to be afraid.

And I think that is what it is for me. When I read Emily’ words I stop fearing, even if only for a little while, that journey ‘behind my own eyes.’ She’s paved a way that I can find and follow. Many thanks to Constance for helping me to gain more insight into the works of my favorite poet.

And so of larger — Darknesses —
Those Evenings of the Brain —
When not a Moon disclose a sign —
Or Star — come out — within —
~ Emily Dickinson
(The Poems of Emily Dickinson, #428)

Between Eternity and Time —
Your Consciousness — and Me —
~ Emily Dickinson
(The Poems of Emily Dickinson, #713)