steps of passing ghosts

10.22.21 ~ Florence Griswold Museum
dragonfly from “Twisted Sisters Magical Menagerie” by Kristen Thornton

Last week, Janet, Tim and I visited the annual Wee Faerie outdoor art exhibit at the Florence Griswold Museum in Old Lyme, Connecticut. They have a different theme every year and the trail is open for the whole month of October. This year’s theme was Folly Woods, Awesome Wee Faerie Architecture.

butterfly from “Twisted Sisters Magical Menagerie” by Kristen Thornton

Historic real-world follies are ornamental buildings designed to enhance the view at grand estates, public parks, and gardens. The fanciful forms of a folly is its function. Often inspired by the classical architecture of the ancient Greeks and Romans, folly architects also borrow decorative elements from Egypt, India, and Japan. This year, the wee faeries present FOLLY WOODS, a collection of miniature architectural masterworks for you to enjoy.
~ Folly Finder program

butterfly and bee homes from
“Arden’s Edenesque Escape” by Vanessa Bunnell

Janet and I first started coming to these in 2011! I’ve missed a year or two for various reasons but it’s always exciting to come back and see the newest creations. Spending time with Janet is always a gift. It’s such a lovely setting on the banks of the Lieutenant River that we found ourselves captivated by the trees and flowers as much as by the little fairy buildings.

Gothic-style pavilion from
“Periwinkle’s Picturesque Pavilion” by Lynda Cmara & Bettina Rowlands
the Green Man tucked behind a net, waiting for spring
from “Periwinkle’s Picturesque Pavilion” by Lynda Cmara & Bettina Rowlands
fall colors in the Lieutenant River
“Gwyndolyn’s Gatehouse” by The Vernons
black walnut
from “Avery’s Surreal Aviary” by Madeline Kwasniewski & T. Arthur Donnelly
Avery’s special bluebird from
from “Avery’s Surreal Aviary” by Madeline Kwasniewski & T. Arthur Donnelly
“Flora’s Artistic Atrium” by Jessica Zeedyk

Listen …
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break free from the trees
And fall.

~ Adelaide Crapsey
(November Night)

a barn owl from “Baron Belfield’s Arch” by Kathryn Stocking-Koza
“Baron Belfield’s Arch” by Kathryn Stocking-Koza
details from “Baron Belfield’s Arch” by Kathryn Stocking-Koza
One never knows when a fairy might appear!
giant turtle foundation of “Serena’s Sylvan Shelter” by Nancy MacBride
turtle top of of “Serena’s Sylvan Shelter” by Nancy MacBride
mushrooms from “Faye’s Mystic Garden” by Bill Vollers & Dawn Hutchins
from “Faye’s Mystic Garden” by Bill Vollers & Dawn Hutchins
“Rodger Dodger’s Hodge-Podge Lodge” by Billie Tannen & Bob Nielsen

If you want to see some highlights from past years just click on the Florence Griswold Museum category below and you will find all my past wee faerie posts. 🧚 Some of the artists have contributed before so if you click on their names in the categories below you might find things they’ve created in past years.

As nature descends into the sacred darkness it’s the season for me to honor my departed ancestors. This is the time of year when I feel their presence the strongest. The blessings of All Hallows Eve.

May you know that absence is alive with hidden presence, that nothing is ever lost or forgotten. May the absences in your life grow full of eternal echo. May you sense around you the secret Elsewhere where the presences that have left you dwell.
~ John O’Donohue
(To Bless the Space Between Us)

descriptions of commonplace things

“October” by Willard Metcalf

Back in March, when I was sorting through the boxes of family stuff, I found the following undated, typewritten account of a lovely October day Tim’s great-grandparents spent together many years ago. Charles Amos Hamilton (1866-1943) wrote it for his wife, Gertrude Mabel Hubbard (1874-1965). They lived in Batavia, New York.

AN OCTOBER DAY

Written for the delectation of my good wife, Gertrude, who delights in reading descriptions of commonplace things, written in rather grandiloquent language.

The poet wrote,
“What is so rare as a day in June,
Then, if ever, come perfect days.”

Without questioning the judgment or belittling the taste of the writer of this couplet, I make the assertion that, with equal or even greater veracity, it might have been written with the substitution of “October” for “June.” For, in old October, Nature gives us examples of a brilliance of coloring, and a tang of ozone, which June, for meteorological reasons, cannot duplicate.

I arise on a bright October morning and raise the shades of my bedroom window. What a riot of all the hues of the rainbow meet my eyes. From the pale green of maple leaves not yet touched by autumn’s frosty fingers, up through the entire gamut of the spectrum, to the vivid scarlet of maples of a different species. As the leaves rustle in the light breeze, they seem to be whispering “Goodbye” to their companions of the departed summer. The dark green limbs of the evergreens nearer the house, stand out like sentinels, bravely daring the blasts of the coming winter. The sunlight lies in little pools in the verdancy of the lawn, dotted here and there by vagrant leaves which have thus early abandoned the protection of their parent branch. The clump of spireas, which last June resembled a snow-bank, now has the appearance of a cluster of shrubs, which in the serene consciousness of a duty well done, are now nestling quietly and unobtrusively together. A belated hollyhock, and a few sturdy petunias, render an additional dash of color. Glancing from the the rear window, I behold the majestic line of cedars, bowing gently before the breeze, but standing with all the dignity of a line of knights in full armor. The row of sweet alyssum shows the same white purity it has maintained for several months. Two scarlet rose-buds, with youthful optimism, raise their heads fearlessly to the autumnal skies, disregarding the improbability of their ever being able to attain maturity.

Later in the day, we take a drive in our Buick, through the farm lands of the vicinity. The same magnificent coloring marks the foliage everywhere, outdoing the most artistic efforts of the painter’s brush. Huge stacks of golden straw stand beside the farmer’s barns, testifying to the repleteness of the barns with fodder for the stock. We know without inspection, that the cellars are well filled with fruits and vegetables, destined to adorn many a well-filled table, and to furnish apples and pop-corn for groups of merry young people. In the fields, the sheep are quietly nibbling, already comfortably clad in their winter woolens. The cows are lying placidly chewing the rumen of contentment. Everything denotes peace, harmony and plenty. Occasionally, a vagrant leaf flutters down momentarily upon the hood of the car, then, as if disdaining its warmth, flutters away to joining its companions by the roadside.

In the evening, fortified by an excellent dinner, maybe washed down by a flagon of “Old October ale,” we sit by the bright flame of our fireplace, and as we listen to the occasional snap of the apple-tree wood, and watch the sparks seek freedom via the chimney, we feel that “God’s in His heaven, all’s right with the world.” Yes, what is so rare as a day in October?

sunshine peculiarly genial

"Autumn Glory" by Willard Metcalf
“Autumn Glory” by Willard Metcalf

There is no season when such pleasant and sunny spots may be lighted on, and produce so pleasant an effect on the feelings, as now in October. The sunshine is peculiarly genial; and in sheltered places, as on the side of a bank, or of a barn or house, one becomes acquainted and friendly with the sunshine. It seems to be of a kindly and homely nature. And the green grass, strewn with a few withered leaves, looks the more green and beautiful for them. In summer or spring, Nature is farther from one’s sympathies.
~ Nathaniel Hawthorne
(The American Note-books)