To me, Okefenokee Swamp felt like a sacred place in the twilight, with Spanish moss hanging down like stalactites, and cypress knees rising up like stalagmites, like the ones often found in caves. I grew up playing in Cedar Swamp, another mystical place, in the woods behind our house. But this southern swamp is very different from, and much larger than, the swamps we have here in New England!
The swamp’s water is black, due to vegetation decaying in the water and leaching out tannin which stains the water in much the same way as the tannin in tea color the water in a teacup. After the swamp exploration our skiff turned out into a marsh, where we could view the sun setting and see what wildlife might come near.
To love a swamp, however, is to love what is muted and marginal, what exists in the shadows, what shoulders its way out of mud and scurries along the damp edges of what is most commonly praised. And sometimes its invisibility is a blessing. Swamps and bogs are places of transition and wild growth, breeding grounds, experimental labs where organisms and ideas have the luxury of being out of the spotlight, where the imagination can mutate and mate, send tendrils into and out of the water. ~ Barbara Hurd (Stirring the Mud: On Swamps, Bogs & Human Imagination)
One last batch of pictures from Okefenokee Swamp tomorrow!
Cypress knees (above) are woody projections sent above the normal water level in the root of a cypress tree, usually seen in swamps. They may help to provide oxygen to the trees and may help to support and stabilize the cypress trees in the soft, muddy soil.
Not the best photo of a dragonfly (below), but enough to make out how different it looks from most of the dragonflies I see up here in the north…
Spanish moss (below) is a bromeliad that hangs from oak or cypress trees. The plant has no roots and absorbs nutrients and water from the air and rainfall.
Spanish moss hangs from the cypress like old lace-pewter veils. ~ Barbara Hurd (Stirring the Mud: On Swamps, Bogs & Human Imagination)